发布时间 : 星期三 文章George Orwell - Animal Farm 动物农场概括更新完毕开始阅读46d38d1ab4daa58da1114a23
The Author
? Born in India in1903,in his words \
His father worked in the Opium Department of the Indian Civil Service. ? Childhood in England, attend Eton College
? 5 years in Burma (1922-1927):joined Indian Imperial Police, learned about oppression and control ? Went back to London, started his writing career
In imitation of Jack London, Orwell started to explore the poorer parts of London ? In the spring of 1928 he moved to Paris, living in poverty 【he recorded his experiences of the low life
for use in \Down and Out in Paris and London《巴黎伦敦落魄记》】
? Orwell fought in the Spanish Civil War. His experiences there gave rise to Homage to Catalonia (1938)《向加泰罗尼亚致敬》
? On the outbreak of World War II, Orwell submitted his name to the Central Register for war effort but
nothing transpired. In August 1941, Orwell finally obtained \by the BBC's Eastern Service. He supervised cultural broadcasts to India.
The Characters
Mr. Jones - The often drunk farmer who owns the Manor Farm. Mr. Jones is an unkind master who
indulges himself while his animals lack food; he thus represents Tsar Nicholas II, whom the Russian Revolution ousted.
Mr. Frederick - The tough, shrewd operator of Pinchfield, a neighboring farm. Based on Adolf Hitler, the ruler of Nazi Germany in the 1930s and 1940s, Mr. Frederick proves an untrustworthy neighbor.
Mr. Pilkington - The easygoing gentleman farmer who runs Foxwood, a neighboring farm. Mr. Frederick’s
bitter enemy, Mr. Pilkington represents the capitalist governments of England and the United States. Mr. Whymper - The human solicitor whom Napoleon hires to represent Animal Farm in human society. Mr.
Whymper’s entry into the Animal Farm community initiates contact between Animal Farm and human society, alarming the common animals.
Old Major - The prize-winning boar, whose vision of a socialist utopia serves as the inspiration for the
Rebellion. Orwell based Major on both the German political economist Karl Marx and the Russian revolutionary leader Lenin. Napoleon - The pig who emerges as the leader of Animal Farm after the Rebellion. Based on Joseph Stalin, Napoleon uses military force (his nine loyal attack dogs) to intimidate the other animals and consolidate his power. In his supreme craftiness, Napoleon proves more treacherous than his counterpart, Snowball.
Snowball - The pig who challenges Napoleon for control of Animal Farm after the Rebellion. Based on Leon Trotsky,(列昂·托洛茨基，俄国与世界历史上最重要的无产阶级革命家之一，二十世纪国际共产主义运动的左翼领袖，领导十月革命) Snowball is intelligent, passionate, eloquent(雄辩的), and less subtle and devious than his counterpart, Napoleon. Snowball seems to win the loyalty of the other animals and cement his power.
Squealer - The pig who spreads Napoleon’s propaganda among the other animals. Squealer justifies the
pigs’ monopolization of resources and spreads false statistics pointing to the farm’s success. Orwell uses Squealer to explore the ways in which those in power often use rhetoric and language to twist the truth and gain and maintain social and political control. Boxer - The cart-horse whose incredible strength, dedication(奉献), and loyalty play a key role in the
early prosperity of Animal Farm and the later completion of the windmill. Quick to help but rather slow-witted, Boxer shows much devotion to Animal Farm’s ideals but little ability to think about them independently. He na?vely trusts the pigs to make all his decisions for him. His two mottoes are “I will work harder” and “Napoleon is always right.” Read an in-depth analysis of Boxer.
Clover - A good-hearted female cart-horse and Boxer’s close friend. Clover often suspects the pigs of
violating one or another of the Seven Commandments, but she repeatedly blames herself for misremembering the commandments.
Moses- The tame raven who spreads stories of Sugarcandy Mountain, the paradise to which animals
supposedly go when they die. Moses plays only a small role in Animal Farm, but Orwell uses him to explore how communism exploits religion as something with which to pacify the oppressed.
Mollie - The vain, flighty(轻浮) mare who pulls Mr. Jones’s carriage. Mollie craves the attention of human
beings and loves being groomed（打扮） and pampered(娇惯). She has a difficult time with her new life on Animal Farm, as she misses wearing ribbons in her mane and eating sugar cubes. She represents the petit bourgeoisie that fled from Russia a few years after the Russian Revolution.
Benjamin- The long-lived donkey who refuses to feel inspired by the Rebellion. Benjamin firmly believes
that life will remain unpleasant no matter who is in charge. Of all of the animals on the farm, he alone comprehends the changes that take place, but he seems either unwilling or unable to oppose the pigs.
Muriel- The white goat who reads the Seven Commandments to Clover whenever Clover suspects the
pigs of violating their prohibitions.
Jessie and Bluebell- Two dogs, each of whom gives birth early in the novel. Napoleon takes the puppies
in order to “educate” them.
Minimus- The poet pig who writes verse about Napoleon and pens the banal patriotic song “Animal
Farm, Animal Farm” to replace the earlier idealistic hymn “Beasts of England,” which Old Major passes on to the others.
Plot
1. Old Major, a prize-winning boar, gathers the animals of the Manor Farm for a meeting in the big barn.
He tells them of a dream he has had in which all animals live together with no human beings to oppress or control them. He tells the animals that they must work toward such a paradise and teaches them a song called “Beasts of England,” in which his dream vision is lyrically described. The animals greet Major’s vision with great enthusiasm. But he dies only three nights after the meeting, 2. three younger pigs—Snowball, Napoleon, and Squealer—formulate his main principles into a
philosophy called Animalism. Late one night, the animals manage to defeat the farmer Mr. Jones in a battle, running him off the land. They rename the property Animal Farm. And they all agreed that the farmhouse preserved as a museum and no animal must ever live there. At first, Animal Farm prospers because productivity rises out of great enthusiasm. Everyone obeys the rules. Snowball works at teaching the animals to read, and Napoleon takes a group of young puppies to educate them in the principles of Animalism.
3. When Mr. Jones reappears to take back his farm, the animals defeat him again, in what comes to be
known as the Battle of the Cowshed, and take the farmer’s abandoned gun as a token of their victory.
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As time passes, however, Napoleon and Snowball increasingly quibble over the future of the farm, and they begin to struggle with each other for power and influence among the other animals.
Snowball concocts a scheme to build an electricity-generating windmill, but Napoleon solidly opposes the plan. At the meeting to vote on whether to take up the project, Snowball gives a passionate speech. Although Napoleon gives only a brief retort, he then makes a strange noise, and nine attack dogs—the puppies that Napoleon had confiscated in order to “educate”—burst into the barn and chase Snowball from the farm. Napoleon assumes leadership of Animal Farm and declares that there will be no more meetings. From that point on, he asserts, the pigs alone will make all of the decisions—for the good of every animal.
Napoleon now quickly changes his mind about the windmill, and the animals, especially Boxer, devote their efforts to completing it. One day, after a storm, the animals find the windmill toppled. The human farmers in the area declare smugly that the animals made the walls too thin, but Napoleon claims that Snowball returned to the farm to sabotage the windmill. He stages a great purge, during which various animals who have allegedly participated in Snowball’s great conspiracy—meaning any animal who opposes Napoleon’s uncontested leadership—meet instant death at the teeth of the attack dogs. With his leadership unquestioned (Boxer has taken up a second maxim, “Napoleon is always right”),
Napoleon begins expanding his powers, rewriting history to make Snowball a villain. Napoleon also begins to act more and more like a human being—sleeping in a bed, drinking whisky, and engaging in trade with neighboring farmers. The original Animalist principles strictly forbade such activities, but Squealer, Napoleon’s propagandist, justifies every action to the other animals, convincing them that Napoleon is a great leader and is making things better for everyone—despite the fact that the common animals are cold, hungry, and overworked.
Mr. Frederick, a neighboring farmer, cheats Napoleon in the purchase of some timber and then attacks the farm and dynamites (blows up) the windmill, which had been rebuilt at great expense. After the demolition of the windmill, a pitched battle ensues, during which Boxer receives major wounds. The animals rout the farmers, but Boxer’s injuries weaken him. When he later falls while working on the windmill, he senses that his time has nearly come. One day, Boxer is nowhere to be found. According to Squealer, Boxer has died in peace after having been taken to the hospital, praising the Rebellion with his last breath. In actuality, Napoleon has sold his most loyal and long-suffering worker to a glue maker in order to get money for whisky.
Years pass on Animal Farm, and the pigs become more and more like human beings—walking upright, carrying whips, and wearing clothes. Eventually, the seven principles of Animalism, known as the Seven Commandments and inscribed on the side of the barn, become reduced to a single principle reading “all animals are equal, but some animals are more equal than others.” Napoleon entertains a human farmer named Mr. Pilkington at a dinner and declares his intent to ally himself with the human farmers against the laboring classes of both the human and animal communities. He also changes the name of Animal Farm back to the Manor Farm, claiming that this title is the “correct” one. Looking in at the party of elites through the farmhouse window, the common animals can no longer tell which are the pigs and which are the human beings.
Themes
The Corruption of Socialist Ideals in the Soviet Union
Animal Farm is most famous in the West as a stinging critique of the history and rhetoric of the Russian Revolution. Retelling the story of the emergence and development of Soviet communism in the form of an animal fable, Animal Farm allegorizes the rise to power of the dictator Joseph Stalin. In the novella, the overthrow of the human oppressor Mr. Jones by a democratic coalition of animals quickly gives way to the consolidation of power among the pigs. Much like the Soviet intelligentsia, the pigs establish themselves as the ruling class in the new society.
The struggle for preeminence between Leon Trotsky and Stalin emerges in the rivalry between the pigs Snowball and Napoleon. In both the historical and fictional cases, the idealistic but politically less powerful figure (Trotsky and Snowball) is expelled from the revolutionary state by the malicious and violent usurper of power (Stalin and Napoleon). The purges and show trials with which Stalin eliminated his enemies and solidified his political base find expression in Animal Farm as the false confessions and executions of animals whom Napoleon distrusts following the collapse of the windmill. Stalin’s tyrannical rule and eventual abandonment of the founding principles of the Russian Revolution are represented by the pigs’ turn to violent government and the adoption of human traits and behaviors, the trappings of their original oppressors.
Although Orwell believed strongly in socialist ideals, he felt that the Soviet Union realized these ideals in a terribly perverse form. His novella creates its most powerful ironies in the moments in which Orwell depicts the corruption of Animalist ideals by those in power. For Animal Farm serves not so much to condemn tyranny or despotism as to indict the horrifying hypocrisy of tyrannies that base themselves on, and owe their initial power to, ideologies of liberation and equality. The gradual disintegration and perversion of the Seven Commandments illustrates this hypocrisy with vivid force, as do Squealer’s elaborate philosophical justifications for the pigs’ blatantly unprincipled actions. Thus, the novella critiques the violence of the Stalinist regime against the human beings it ruled, and also points to Soviet communism’s violence against human logic, language, and ideals.
The Societal Tendency toward Class Stratification
Animal Farm offers commentary on the development of class tyranny and the human tendency to maintain and reestablish class structures even in societies that allegedly stand for total equality. The novella illustrates how classes that are initially unified in the face of a common enemy, as the animals are against the humans, may become internally divided when that enemy is eliminated. The expulsion of Mr. Jones creates a power vacuum, and it is only so long before the next oppressor assumes totalitarian control. The natural division between intellectual and physical labor quickly comes to express itself as a new set of class divisions, with the “brainworkers” (as the pigs claim to be) using their superior intelligence to manipulate society to their own benefit. Orwell never clarifies in Animal Farm whether this negative state of affairs constitutes an inherent aspect of society or merely an outcome contingent on the integrity of a society’s intelligentsia. In either case, the novella points to the force of this tendency toward class stratification in many communities and the threat that it poses to democracy and freedom.
The Danger of a Na?ve Working Class
One of the novella’s most impressive accomplishments is its portrayal not just of the figures in power but also of the oppressed people themselves. Animal Farm is not told from the perspective of any particular
character, though occasionally it does slip into Clover’s consciousness. Rather, the story is told from the perspective of the common animals as a whole. Gullible, loyal, and hardworking, these animals give Orwell a chance to sketch how situations of oppression arise not only from the motives and tactics of the oppressors but also from the na?veté of the oppressed, who are not necessarily in a position to be better educated or informed. When presented with a dilemma, Boxer prefers not to puzzle out the implications of various possible actions but instead to repeat to himself, “Napoleon is always right.” Animal Farm demonstrates how the inability or unwillingness to question authority condemns the working class to suffer the full extent of the ruling class’s oppression.
The Abuse of Language as Instrumental to the Abuse of Power
One of Orwell’s central concerns, both in Animal Farm and in 1984, is the way in which language can be manipulated as an instrument of control. In Animal Farm, the pigs gradually twist and distort a rhetoric of socialist revolution to justify their behavior and to keep the other animals in the dark. The animals heartily embrace Major’s visionary ideal of socialism, but after Major dies, the pigs gradually twist the meaning of his words. As a result, the other animals seem unable to oppose the pigs without also opposing the ideals of the Rebellion. By the end of the novella, after Squealer’s repeated reconfigurations of the Seven Commandments in order to decriminalize the pigs’ treacheries, the main principle of the farm can be openly stated as “all animals are equal, but some animals are more equal than others.” This outrageous abuse of the word “equal” and of the ideal of equality in general typifies the pigs’ method, which becomes increasingly audacious as the novel progresses. Orwell’s sophisticated exposure of this abuse of language remains one of the most compelling and enduring features of Animal Farm, worthy of close study even after we have decoded its allegorical characters and events.